Album Review: Cutthtroat Standards and Black Pop by Abby Travis

Album Name: Cutthtroat Standards and Black Pop
Artist: Abby Travis
Year/Label: 2000 / Educational Recordings

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Review by Anna Maria Stjärnell

On this, her second album, Abby Travis blends cabaret, pop and rock.

Her velvety voice adorns songs like the smoky jazz of “Somtimes I wish I had a Gun” and the Brechtian “Have I Got a deal for You”.

The lovely “Everything’s Wonderful” could be a Cole Porter song if not for the line “He dropped me on my ass”.

These cutthroat standards are close to Ute Lemper’s recent, masterful album “Punishing Kiss”. Travis creates lush,theatrical music as wonderfully as Lemper does.

This is music to dream your day away to and then have beautiful nightmares haunt your sleep.

Posted on February 14, 2001

Track Listing

1. So Far Away
2. Of Eyes Remain
3. Have I Got a Deal For You
4. Sunday is the Day for Love
5. Hope
6. Hangover Flower
7. Everything’s Wonderful
8. October
9. Sometimes I Wish I had a gun
10. Bottom of the Sea
11. Monster
12. The Hate song

[Abby Travis Official Site]

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Album Review: Steady Pull by Jonatha Brooke

Album Name: Steady Pull
Artist: Jonatha Brooke
Year/Label: 2001 / Bad Dog Records

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A Review by Scott (Full Fledged Strangers member)

Although I pre-ordered the CD and DVD of “Steady Pull” I only received the CD in today’s mail. A note promised the DVD will be delayed a bit. Maybe by the time it gets here I will be a little more accustomed to the new album. It’s going to take me a while to feel comfortable with this one.

The album begins with “Linger,” a bright tune featuring characteristic Jonatha vocals. You know, dotted with all those little nuances she has perfected. Some tasteful piano tracks are overshadowed by a droning electric guitar, which may have been added to affect a more complex arrangement but to me only detracts from this pleasant melody. “How Deep Is Your Love,” the next song, is quite a departure from standard Jonatha fare. Underscored with a hip-hop type beat, far-away vocals processed through an echo chamber/reverb unit, and the ever-present electro/techno accompaniment, this is a far far cry from the folk days of “The Story.” The next track, “Walking,” tries to rely on various studio electronica to maintain a continuity but stumbles throughout. An uninspired vocal track doesn’t help either.

The album takes a turn for the better about halfway through. “Room in My Heart” is a great song with a fascinating jazzy chordal progression, but the addition of many electronic instrumental layers tosses in a measure of disjointedness. Still, this is good stuff. The title track, “Steady Pull,” features brilliant perfectly-on-pitch vocals and is the only song on the CD with a memorable bridge. These bridges are one of Jo’s trademarks. Think back to “Because I Told You So.” Or the song “10 Cent Wings.” Sigh. Now *those* are musical bridges!

“New Dress” sets a mood and builds up the drama. The production on this one is much more finely crafted than some of the other songs on this album and it shows. “Digging” is beautiful in its simplicity. The guitar parts are slightly chaotic at times but only add to the overall presentation. This is a fantastic song, given a wonderful treatment.

“I’ll Take It From Here” is easily my favorite. A gorgeous flowing piece. The producer finally allows the instruments to complement instead of clash and overpower. The balance of Jo’s vocals and this “less is more” approach to the arrangement is masterful. Concluding the CD is “Lullaby,” a haunting acoustic ballad which is a stark contrast to much of what preceded it.

Jonatha expands her artistic horizon with each new album. A lot of my admiration of her music is due to her uncompromising attitude and her quest for growth as a singer and songwriter. It’s usually a most pleasant surprise to discover where she has gone each time. With “Steady Pull” I feel the producer has been given too much reign and has relegated her contributions to somewhere further down in the mix. By that I mean the electronica layers have grown too big and detract from the clean yet dissonant and complex presentation that is uniquely Jonatha Brooke. Give me Duke Levine any day for a tasteful accompanist who skillfully augments the songs with neat little riffs instead of banging away with barre chords. Players like him who know their places, and who let Jonatha’s talents shine and stand on their own, should be coveted.

Scott


Another review Arnie Perlstein (Full Fledged Strangers member)

On first few listens, it didn’t have the love at first listen qualities that Ten Cent Wings did. Linger is a very good song, Room in My Heart is very catchy, but the other songs are going to require multiple listens to get inside them…Lullaby in a strange way reminds me of the song Ten Cent Wings. The French version of How Deep is Your Love is an interesting counterpoint to the English version. I was curious as to why the last bonus track was co produced by Alain Mallet–was that from before they split?

This doesn’t sound like a new direction for her, which is fine, I liked her old direction just fine—actually, I am reminded more of Plumb than of Ten Cent Wings….

ARNIE PERLSTEIN, Fort Lauderdale, FL

Posted on February 9, 2001

Track Listing
1. Linger
2. How Deep Is Your Love?
3. Walking
4. Red Dress
5. Room In My Heart
6. Steady Pull – (with Michael Franti)
7. Your House
8. New Dress – (with Neil Finn)
9. Digging
10. Out Of Your Mind
11. I’ll Take It From Here
12. Lullaby

[Jonatha Brooke Official Site]

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Album Review: Signing Einstein by Signing Einstein

Album Name: Signing Einstein
Artist: Signing Einstein
Year/Label: 2001 / JNI Records

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Review by Anna Maria Stjärnell

Signing Einstein’s debut album has a very nice sound.

The opener “Edward Teach” has a suitably dramatic lyric about piracy and a great melody.

The band have a strong singer in Gina Gonzalez.

The music is a mix of progressive rock, folk and contemporary pop.

“Time to Decide” sounds like Eurythmics did in their prime, a sound I had forgotten I liked so much.

This is a very accomplished debut that sounds wonderful.

Posted February 1, 2001

Track Listing
Listen to track samples
1. Edward Teach
2. Heart Of Stone
3. The Prey Of Nantahala Lake
4. Voices
5. Heart Beating
6. Hit Me Like A Train
7. Be That As It May
8. Love The Same
9. Time To Decide
10. Wipe The Pages Clear

[Signing Einstein Official Site]

Album Review: Thread Bone Bare by Sarina Simoom

Album Name: Thread Bone Bare
Artist: Sarina Simoom
Year/Label: 2000 Velveteen Records

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Review by Anna Maria Stjärnell

Sarina Simoom’s debut album is a rare and beautiful thing.

Singer Jenna Herbst’s nimble voice scales unbelievable heights easily.

The music is both elegiac and uplifting. This is an album that the 4AD label might have put out in the eighties.
It would fit perfectly with the Cocteau Twins best works from that era. The band’s sound is less ethereal and more earthy than the Cocteaus though.

The peaceful nature of the music is frequently undercut by darker strains.

This is remarkable debut.

Posted on January 29, 2001

Track Listing
Listen to track samples
1. Intro
2. Mother
3. Tree
4. Place in Line
5. Sycamore
6. To See Beauty
7. Hine ma tov
8. Already Dead
9. Hey Angel
10. Love of Grieving
11. In The Valley
12. Thread

[Sarina Simoom Official Site]

Album Review: Anchor by Trespassers William

Album Name: Anchor
Artist: Trespassers William
Year/Label: 1999 / Sonikwire Records

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Review by Anna Maria Stjärnell

It is important for an album to open with a good track that manages to hold the listeners attention. On this count Trespassers William succeed. ” I Know ” is a mesmerising song about unrequited love that captures singer Anna-Lynne Williams voice at its most beautiful.

The rest of this debut album is equally striking. Trespassers William have a moody, but not downbeat sound with folk touches. Their songs are slow and passionate and their lyrics insightful. This is an album to cherish.

Posted on January 12, 2001

Track Listing
Listen to track samples

1. I Know
2. Desert
3. Anchor
4. Washes Away
5. Cabinet
6. Broken
7. My Eyes Were Closed
8. It’s Been A Shame
9. Umbrella
10. Stay, There’s Nowhere Else

[Trespassers William Official Site]

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Album Review: Red Dirt Girl by Emmylou Harris

Album Name: Red Dirt Girl
Artist: Emmylou Harris
Year/Label: 2000 / WEA/Atlantic, Nonesuch

Review by Anne Deming

I was first introduced to the music of Emmylou Harris in the fall of 1999. A friend insisted I borrow “Wrecking Ball” (1995) after sifting through my CD collection, which just happens to be flooded with female singer/songwriters.
While I wouldn’t categorize Harris as folk, the overwhelmingly mellow tone of her 1995 release demanded recognition and respect for it’s heart felt melodies and soul rocking rhythms, but it didn’t grab me as a listener.

After reading some rave reviews, Santa went out on a limb this year and wrapped up Emmylou Harris’s 2000 release, “Red Dirt Girl”, as a stocking stuffer. Only one word summarizes Harris’s newest musical masterpiece-incredible. She manages to combine rock, blues, gospel, folk and pop into a symphony of beautiful sounds. Her distinct voice is the delicate string that weaves all 12 songs together and the lyrics flow from one phrase to another like an aria. With just a hint of funk, Harris conveys joy, loss, youth and strength with blinding clarity.

Having a soft spot for the blues, my favorite track is undeniably, “I Don’t Wanna Talk About It Now”; it is surprisingly…mischievous. My sole criticism of “Red Dirt Girl” is, at times, the second hand quality of her rhythm section; switching between a drum machine and an acoustic set produces an inconsistent sound that diminishes the angelic tone of the CD. In her defense, however, this could be the raw sound she attempted and consequently achieved. The splendor of the language and the magic of the song provide the listener with a charming blend of musical talent.

I predict this to be a staple in my CD changer for many moons to come.

Posted on January 3, 2001

Track Listing
Listen to track samples
1.The Pearl
2. Michelangelo
3. I Don’t Wanna Talk About it Now
4. Tragedy
5. Red Dirt Girl
6. My Baby Needs a Shepherd
7. Bang the Drum Slowly
8. J’ail Fait Tout
9. One Big Love
10. Hour of Gold
11. My Antonia (featuring Dave Matthews)
12. Boy From Tupelo

[Emmylou Harris Official Site]

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